Richard Valitutto talks about playing Messiaen
Richard Valitutto talks about playing Messiaen, Highland Park roosters, and being a librarian.
Ornithology Premiere: double tui
double tui piano and ‘small orchestra’ of winds and percussion ~ ~ ~ the fantasy of being mobile finds you cycling through the night to find the dawn chorus which turns out to be quite complicated as the farewell symphony {to the wondrous memory of maurice till – a fantastically enabling and generous mentor} ~ ~ ~ double tui is part of a series of compositions i’ve written
Ornithology Premiere: Andrew Bird arrangements
I am nowhere nearly as hip as anyone else associated with wild Up, including the guy who tends the bar. So when Chris contacted me about orchestrating some Andrew Bird songs I had to take an auditory crash-course through the artist’s body of work. Fortunately, being a fan of acoustic indy pop in the Elliot Smith tradition and self-overdubbing madmen like Jon Brion,
Ornithology Premieres: Bird of Paradise (in Paradise)
I was browsing through a Charlie Parker tunebook to get some ideas for the upcoming wild Up concert when the title “Bird of Paradise” caught my eye. To be honest I was originally interested because it reminded me of those amazing Planet Earth documentaries involving unique birds, but soon after the notes became attractive as well. The tune has a simple four-bar melody played
Ornithology Premieres: this nest, swift passerine
I often work with field recordings, but i don’t often work with chamber orchestras. I make recordings of rivers, trains, farms, cows, trees, wind, fog horns, church bells, traffic noise, and coffee shops. These mundane things yield the most rigorous and beautiful sounds that I use in installations, and compositions. When asked to work on a piece for wild Up, I jumped at the
Ornithology Premieres: Fake Palindromes
“Fake Palindromes” is the first song I ever heard by Andrew Bird, and it is my mind’s aural portrait of him. The title’s reference to palindromes calls to mind one of Messiaen’s trademarks: the “non-retrogradeable rhythm”, or a rhythmic palindrome. With the inclusion of Bird’s music on this wild Up concert featuring Messiaen’s Oiseaux exotiques [Foreign Birds], I knew I had to arrange this particular